I first heard Blurt on their side of the double album A Factory Quartet in 1981. They seemed to be evidence of the creative possibilities that were quite rightly the result of the implosion/explosion that had begun in 1976. Neil Procter
Straddling the threshold between studio performance and digital technique; the NYC artist applies "fake jazz" principles to synthpop. Bandcamp New & Notable May 2, 2024
A collection of tracks from the singer and multi-disciplinary artist's 111 collaboration series, featuring KMRU, Laraaji, and others. Bandcamp New & Notable Apr 25, 2024